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Webster’s Dictionary (1828)



327 words match “IMPRESS”

IMPRESS v. 10 definitions
hing in or upon; to mark by pressure, or as by pressure; to imprint (that which bears the impression). His heart, like an agate, with your print impressed. Shak.
IMPRESSIBILITY n.
The quality of being impressible; susceptibility.
IMPRESSIBLE a.
Capable of being impressed; susceptible; sensitive. -- Im*press"i*ble*ness, n. -- Im*press"i*bly, adv.
IMPRESSION n. 9 definitions
The act of impressing, or the state of being impressed; the communication of a stamp, mold, style, or character, by external force or by influence.
IMPRESSIONABILITY n.
The quality of being impressionable.
IMPRESSIONABLE a.
Liable or subject to impression; capable of being molded; susceptible; impressible. He was too impressionable; he had too much of the temperament of genius. Motley. A pretty face and an impressionable disposition. T. Hook.
IMPRESSIONABLENESS n.
The quality of being impressionable.
IMPRESSIONISM n.
The theory or method of suggesting an effect or impression without elaboration of the details; -- a disignation of a recent fashion in painting and etching.
IMPRESSIONIST n.
One who adheres to the theory or method of impressionism, so called.
IMPRESSIONISTIC a.
Pertaining to, or characterized by, impressionism.
IMPRESSIONLESS a.
Having the quality of not being impressed or affected; not susceptible.
IMPRESSIVE a. 2 definitions
Making, or tending to make, an impression; having power to impress; adapted to excite attention and feeling, to touch the sensibilities, or affect the conscience; as, an impressive discourse; an impressive scene.
IMPRESSMENT n.
The act of seizing for public use, or of impressing into public service; compulsion to serve; as, the impressment of provisions or of sailors. The great scandal of our naval service -- impressment -- died a protracted death. J. H. Burton.
IMPRESSOR n.
One who, or that which, impresses. Boyle.
IMPRESSURE n.
Dent; impression. [Obs.] Shak.
NEOIMPRESSIONISM; POINTILLISM n.
a further development, on more rigorously scientific lines, of the theory and practice of Impressionism, originated by George Seurat (1859-91), and carried on by Paul Signac (1863- -) and others. Its method is marked by the laying of pure primary colors in minute dots upon a white ground, any given line being produced…
POST-IMPRESSIONISM n.
ave in common a tendency to reaction against the scientific and naturalistic character of impressionism and neo- impressionism. In a strict sense the term post-impressionism is used to denote the effort at self-expression, rather than representation, shown in the work of Cézanne, Matisse, etc.; but it is more broadly u…
REIMPRESS v.
To impress anew.
REIMPRESSION n.
A second or repeated impression; a reprint.
ACUTE a.
Having nice or quick sensibility; susceptible to slight impressions; acting keenly on the senses; sharp; keen; intense; as, a man of acute eyesight, hearing, or feeling; acute pain or pleasure.
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