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Webster’s Dictionary (1828)



220 words match “DEAS”

OLD-FASHIONED a.
Formed according to old or obsolete fashion or pattern; adhering to old customs or ideas; as, an old-fashioned dress, girl. "Old-fashioned men of wit." Addison. This old-fashioned, quaint abode. Longfellow.
ORDER n.
Of intellectual notions or ideas, like the topics of a discource.
ORGANOLOGY n.
nic structure. The science of style, as an organ of thought, of style in relation to the ideas and feelings, might be called the organology of style. De Quincey.
PART n.
price, . . . and brought a certain part and laid it at the apostles'feet. Acts v. 2. Our ideas of extension and number -- do they not contain a secret relation of the parts Locke. I am a part of all that I have met. Tennyson.
PASSIVE a.
heir nimble tread. Milton. The mind is wholly passive in the reception of all its simple ideas. Locke.
PEGASUS n.
unt Helicon. On this account he is, in modern times, associated with the Muses, and with ideas of poetic inspiration. Each spurs his jaded Pegasus apace. Byron.
PERFECT v.
12. Inquire into the nature and properties of the things, . . . and thereby perfect our ideas of their distinct species. Locke. Perfecting press (Print.), a press in which the printing on both sides of the paper is completed in one passage through the machine.
PLAGIARIST n.
One who plagiarizes; or purloins the words, writings, or ideas of another, and passes them off as his own; a literary thief; a plagiary.
PLAGIARIZE v.
or purloin from the writings of another; to appropriate without due acknowledgement (the ideas or expressions of another).
PLAGIARY n.
One who purloins another's expressions or ideas, and offers them as his own; a plagiarist. Dryden.
PLATITUDE n.
ality or state of being flat, thin, or insipid; flat commonness; triteness; staleness of ideas of language. To hammer one golden grain of wit into a sheet of infinite platitude. Motley.
PLUTOCRATIC a.
Of or pertaining to plutocracy; as, plutocratic ideas. Bagehot.
POETRY n.
The art of apprehending and interpreting ideas by the faculty of imagination; the art of idealizing in thought and in expression. For poetry is the blossom and the fragrance of all human knowledge, human thoughts, human passions, emotions, language. Coleridge.
POVERTY n.
ired, or that constitute richness; as, poverty of soil; poverty of the blood; poverty of ideas. Poverty grass (Bot.), a name given to several slender grasses (as Aristida dichotoma, and Danthonia spicata) which often spring up on old and worn-out fields.
PRE-RAPHAELITE n.
Popularly, any modern artist thought to be a would-be restorer of early ideas or methods, as one of the German painters often called Nazarenes, or one who paints and draws with extreme minuteness of detail.
PRESENTABLE a.
ward or set forth; hence, fitted to be introduced to another, or to go into society; as, ideas that are presentable in simple language; she is not presentable in such a gown.
PROBABILITY n.
ption; likelihood. Probability is the appearance of the agreement or disagreement of two ideas, by the intervention of proofs whose connection is not constant, but appears for the most part to be so. Locke.
PUN v.
To make puns, or a pun; to use a word in a double sense, especially when the contrast of ideas is ludicrous; to play upon words; to quibble. Dryden.
QUIPU n.
science of the quipus . . . supplied the Peruvians with the means of communicating their ideas to one another, and of transmitting them to future generations. Prescott.
RECEPTION n.
ption of food into the stomach; the reception of a letter; the reception of sensation or ideas; reception of evidence.
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