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Webster’s Dictionary (1828)



160 words match “PAINTING”

SALON n.
partment for the reception and exhibition of works of art; hence, an annual exhibition of paintings, sculptures, etc., held in Paris by the Society of French Artists; -- sometimes called the Old Salon. New Salon is a popular name for an annual exhibition of paintings, sculptures, etc., held in Paris at the Champs de Ma…
SANCTUARY n.
e them, bestowed on temples the privelege of sanctuary. Milton . These admirable works of painting were made fuel for the fire; but some relics of it took sanctuary under ground, and escaped the common destiny. Dryden. Wildlife sanctuary, a tract of land set aside by law for the preservation of wildlife, in which no hu…
SCUMBLE v.
To cover lighty, as a painting, or a drawing, with a thin wash of opaque color, or with color-crayon dust rubbed on with the stump, or to make any similar additions to the work, so as to produce a softened effect.
SCUMBLING n.
A mode of obtaining a softened effect, in painting and drawing, by the application of a thin layer of opaque color to the surface of a painting, or part of the surface, which is too bright in color, or which requires harmonizing.
SECCO a.
Dry. Secco painting, or Painting in secco, painting on dry plaster, as distinguished from fresco painting, which is on wet or fresh plaster.
SFUMATO a.
ue outlines, and colors and shades so mingled as to give a misty appearance; -- said of a painting.
SGRAFFITO a.
Scratched; -- said of decorative painting of a certain style, in which a white overland surface is cut or scratched through, so as to form the design from a dark ground underneath.
SIZE n.
A thin, weak glue used in various trades, as in painting, bookbinding, paper making, etc.
SPANISH a.
having many green flexible rushlike twigs. -- Spanish brown, a species of earth used in painting, having a dark reddish brown color, due to the presence of sesquioxide of iron. -- Spanish buckeye (Bot.), a small tree (Ungnadia speciosa) of Texas, New Mexico, etc., related to the buckeye, but having pinnate leaves an…
SPECIMEN n.
of what is not exhibited; a sample; as, a specimen of a man's handwriting; a specimen of painting; aspecimen of one's art.
STENCIL n.
A thin plate of metal, leather, or other material, used in painting, marking, etc. The pattern is cut out of the plate, which is then laid flat on the surface to be marked, and the color brushed over it. Called also stencil plate.
STEREOCHROMY n.
A style of painting on plastered walls or stone, in which the colors are rendered permanent by sprinklings of water, in which is mixed a proportion of soluble glass (a silicate of soda).
STILL a.
cing; not sparkling; as, still wines. Still life. (Fine Arts) (a) Inanimate objects. (b) (Painting) The class or style of painting which represents inanimate objects, as fruit, flowers, dead game, etc.
STILLNESS n.
The quality or state of being still; quietness; silence; calmness; inactivity. Painting, then, was the art demanded by the modern intellect upon its emergence from the stillness of the Middle Ages. J. A. Symonds.
STRETCHER n.
The frame upon which canvas is stretched for a painting.
SUBJECTIVE a.
r making prominent, the individuality of a writer or an artist; as, a subjective drama or painting; a subjective writer.
SUBLITION n.
The act or process of laying the ground in a painting. [R.]
TABERNACLE n.
A niche for the image of a saint, or for any sacred painting or sculpture.
TEMPERA n.
A mode or process of painting; distemper.
TERM n.
e, art, profession, or the like; as, a technical term. "Terms quaint of law." Chaucer. In painting, the greatest beauties can not always be expressed for want of terms. Dryden.
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