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Webster’s Dictionary (1828)



344 words match “LIEF”

EVOLUTIONISM n.
The theory of, or belief in, evolution. See Evolution, 6 and 7.
FABULOUS a.
Passing belief; exceedingly great; as, a fabulous price. Macaulay. Fabulous age, that period in the history of a nation of which the only accounts are myths and unverified legends; as, the fabulous age of Greek and Rome. -- Fab"u*lous*ly, adv. -- Fab"u*lous*ness, n.
FAITH n. 5 definitions
Belief; the assent of the mind to the truth of what is declared by another, resting solely and implicitly on his authority and veracity; reliance on testimony.
FAITHFUL a.
Worthy of confidence and belief; conformable to truth ot fact; exact; accurate; as, a faithful narrative or representation. It is a faithful saying. 2 Tim. ii. 11. The Faithful, the adherents of any system of religious belief; esp. used as an epithet of the followers of Mohammed.
FALL v.
labor therefore to enter into that rest, lest any man fall after the same example of unbelief. Heb. iv. 11.
FETICHISM; FETISHISM n.
The doctrine or practice of belief in fetiches.
FETICHISTIC; FETISHISTIC a.
or involving, fetichism. A man of the fifteenth century, inheriting its strange web of belief and unbelief, of epicurean levity and fetichistic dread. G. Eliot.
FICTOR n.
An artist who models or forms statues and reliefs in any plastic material. [R.] Elmes.
FINGER n.
nger post, a guide post bearing an index finger. -- Finger reading, reading printed in relief so as to be sensible to the touch; -- so made for the blind. -- Finger shell (Zoöl.), a marine shell (Pholas dactylus) resembling a finger in form. -- Finger sponge (Zoöl.), a sponge having finger-shaped lobes, or branches.…
FLAT a. 2 definitions
Wanting relief; destitute of variety; without points of prominence and striking interest. A large part of the work is, to me, very flat. Coleridge.
FLATNESS n.
Eveness of surface; want of relief or prominence; the state of being plane or level.
FOREGROUND n.
On a painting, and sometimes in a bas-relief, mosaic picture, or the like, that part of the scene represented, which is nearest to the spectator, and therefore occupies the lowest part of the work of art itself. Cf. Distance, n., 6.
FORM n.
bject or condition, which is called the matter; subjectively, a mode of apprehension or belief conceived as dependent on the constitution of the mind; objectively, universal and necessary accompaniments or elements of every object known or thought of.
FREETHINKING n.
Undue boldness of speculation; unbelief. Berkeley. -- a.
FRET n.
Ornamental work in relief, as carving or embossing. See Fretwork.
FRETWORK n.
Work adorned with frets; ornamental openwork or work in relief, esp. when elaborate and minute in its parts. Heuce, any minute play of light andshade, dark and light, or the like. Banqueting on the turf in the fretwork of shade and sunshine. Macaulay.
GESSO n.
Plaster of Paris, or gypsum, esp. as prepared for use in painting, or in making bas-reliefs and the like; by extension, a plasterlike or pasty material spread upon a surface to fit it for painting or gilding, or a surface so prepared.
GESSO DURO n.
A variety of gesso which when dried becomes hard and durable, often used in making bas-relief casts, which are colored and mounted in elaborate frames.
GOGGLE n.
Colored glasses for relief from intense light.
GOSPEL n.
their synagogues, and preaching the gospel of the kingdom. Matt. iv. 23. The steadfast belief of the promises of the gospel. Bentley.
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