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Webster’s Dictionary (1828)



390 words match “VOICE”

COMMAND n.
Control; power over something; sway; influence; as, to have command over one's temper or voice; the fort has command of the bridge. He assumed an absolute command over his readers. Druden.
COMPASS n.
The range of notes, or tones, within the capacity of a voice or instument. You would sound me from my lowest note to the top of my compass. Shak.
CONCEIVABLE a.
Wilkins. It is not conceivable that it should be indeed that very person whose shape and voice it assumed. Atterbury. -- Con*ceiv"a*ble*ness, n. -- Con*ceiv"a*bly, adv.
CONCENT n.
Concert of voices; concord of sounds; harmony; as, a concent of notes. [Archaic.] Bacon. That undisturbed song of pure concent. Milton.
CONCERT n.
A musical entertainment in which several voices or instruments take part. Visit by night your lady's chamber window With some sweet concert. Shak. And boding screech owls make the concert full. Shak. Concert pitch. See under Pitch.
CONCERTED a.
s, concerted schemes, signals. Concerted piece (Mus.), a composition in parts for several voices or instrument, as a trio, a quartet, etc.
CONCRETE a.
knowledge concrete things instead of abstract laws. -- Concrete sound or movement of the voice, one which slides continuously up or down, as distinguished from a discrete movement, in which the voice leaps at once from one line of pitch to another. Rush.
CONJUGATE v.
To inflect (a verb), or give in order the forms which it assumed in its several voices, moods, tenses, numbers, and persons.
CONSTRAIN v.
To produce in such a manner as to give an unnatural effet; as, a constrained voice.
CONTRALTO n. 3 definitions
The part sung by the highest male or lowest female voices; the alto or counter tenor.
CONVULSE v.
as in excessive laughter, or in agony from grief or pain. With emotions which checked his voice and convulsed his powerful frame. Macaulay.
COPY v.
itate; to attempt to resemble, as in manners or course of life. We copy instinctively the voices of our companions, their accents, and their modes of pronunciation. Stewart.
CORPORATE a.
United; general; collectively one. They answer in a joint and corporate voice. Shak. Corporate member, an actual or voting member of a corporation, as distinguished from an associate or an honorary member; as, a corporate member of the American Board.
COUNT v.
n. He was brewer to the palace; and it was apprehended that the government counted on his voice. Macaulay. I think it a great error to count upon the genius of a nation as a standing argument in all ages. Swift.
COUNTERFEIT v.
To imitate, or put on a semblance of; to mimic; as, to counterfeit the voice of another person. Full well they laughed with counterfeited glee At all his jokes, for many a joke had he. Goldsmith.
COUNTRY n.
state; as, to dissolve Parliament and appeal to the country. All the country in a general voice Cried hate upon him. Shak.
COYOTE n.
to the dog, found in the western part of North America; -- called also prairie wolf. Its voice is a snapping bark, followed by a prolonged, shrill howl.
CRACK n.
The tone of voice when changed at puberty. Though now our voices Have got the mannish crack. Shak.
CREAK v.
und, as by the friction of hard substances; as, shoes creak. The creaking locusts with my voice conspire. Dryden. Doors upon their hinges creaked. Tennyson.
CRESCENDO a.
With a constantly increasing volume of voice; with gradually increasing strength and fullness of tone; -- a direction for the performance of music, indicated by the mark, or by writing the word on the score.
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