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, used cacao as a medium of exchange, and were workers of gold, silver, and copper. Their architecture comprised elaborately carved temples and places, and they possessed a superior calendar, and a developed system of hieroglyphic writing, with records said to go back to about 700 a. d.

Of or relating to the Middle Ages; as, mediæval architecture. [Written also medieval.]

ral substances are taken by digging; -- distinguished from the pits from which stones for architectural purposes are taken, and which are called quarries.

Of or pertaining to Morocco or the Moors; in the style of the Moors. Moorish architecture, the style developed by the Moors in the later Middle Ages, esp. in Spain, in which the arch had the form of a horseshoe, and the ornamentation admitted no representation of animal life. It has many points of resemblance to the Ar…

The Moresque style of architecture or decoration. See Moorish architecture, under Moorish. [Written also mauresque.]

is dance. Marston. (c) One who dances the Moorish dance. Shak. (d) Moresque decoration or architecture.

signating, the modern revival of classical, esp. Greco-Roman, taste and manner of work in architecture, etc.

e Normans; as, the Norman language; the Norman conquest. Norman style (Arch.), a style of architecture which arose in the tenth century, characterized by great massiveness, simplicity, and strength, with the use of the semicircular arch, heavy round columns, and a great variety of ornaments, among which the zigzag and…

A circular or oval window; -- generally used of architecture of the 17th and 18th centuries. A famous room in the palace of Versailles bears this name, from the oval window opening into it.

l circular opening, and ring of moldings surrounding it, used in window tracery in Gothic architecture. [Written also oylet.]

of a column and its component parts, and of the entablature resting upon it, in classical architecture; hence (as the column and entablature are the characteristic features of classical architecture) a style or manner of architectural designing.

Of, pertaining to, or designating, a variety of the revived classic style of architecture, founded on the works of Andrea Palladio, an Italian architect of the 16th century.

A floral ornament, common in Greek and other ancient architecture; -- often called the honeysuckle ornament.

figures, formerly used for the internal and external decoration of houses. (b) In modern architecture, the plastering of the inside of flues, intended to give a smooth surface and help the draught.

Originally, in classical architecture, the triangular space forming the gable of a simple roof; hence, a similar form used as a decoration over porticoes, doors, windows, etc.; also, a rounded or broken frontal having a similar position and use. See Temple.

A hanging ornament on roofs, ceilings, etc., much used in the later styles of Gothic architecture, where it is of stone, and an important part of the construction. There are imitations in plaster and wood, which are mere decorative features. "[A bridge] with . . . pendants graven fair." Spenser.

Having five columns in front; -- said of a temple or portico in classical architecture. -- n.

An arbor or trellis treated architecturally, as with stone columns or similar massive structure.

In ancient architecture, an inclosed court, esp., one surrounding a temple.

ine bc. Perpendicular style (Arch.), a name given to the latest variety of English Gothic architecture, which prevailed from the close of the 14th century to the early part of the 16th; -- probably so called from the vertical style of its window mullions.