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Webster’s Dictionary (1828)



49 words match “THEME”

STEM n.
rd which remains unchanged (except by euphonic variations) throughout a given inflection; theme; base. From stem to stern (Naut.), from one end of the ship to the other, or through the whole length. -- Stem leaf (Bot.), a leaf growing from the stem of a plant, as contrasted with a basal or radical leaf.…
STRAIN n.
or other poem; also, the pervading note, or burden, of a song, poem, oration, book, etc.; theme; motive; manner; style; also, a course of action or conduct; as, he spoke in a noble strain; there was a strain of woe in his story; a strain of trickery appears in his career. "A strain of gallantry." Sir W. Scott. Such tak…
STRING n.
ts of an orchestra, in distinction from the wind instruments; as, the strings took up the theme. "An instrument of ten strings." Ps. xxx. iii. 2. Me softer airs befit, and softer strings Of lute, or viol still. Milton.
SUBJECT n. 2 definitions
That of which anything is affirmed or predicated; the theme of a proposition or discourse; that which is spoken of; as, the nominative case is the subject of the verb. The subject of a proposition is that concerning which anything is affirmed or denied. I. Watts.
SYNECDOCHICAL a.
Expressed by synecdoche; implying a synecdoche. Isis is used for Themesis by a synecdochical kind of speech, or by a poetical liberty, in using one for another. Drayton.
TEXT n.
anything chosen as the subject of an argument, literary composition, or the like; topic; theme.
THEMATIC a. 2 definitions
Of or pertaining to the theme of a word. See Theme, n., 4.
THESIS n.
Hence, an essay or dissertation written upon specific or definite theme; especially, an essay presented by a candidate for a diploma or degree. I told them of the grave, becoming, and sublime deportment they should assume upon this mystical occasion, and read them two homilies and a thesis of my own composing, to prepa…
VARIATION n.
Repetition of a theme or melody with fanciful embellishments or modifications, in time, tune, or harmony, or sometimes change of key; the presentation of a musical thought in new and varied aspects, yet so that the essential features of the original shall still preserve their identity.
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