MADRIGAL n.
An unaccompanied polyphonic song, in four, five, or more parts, set to secular words, but full of counterpoint and imitation, and adhering to the old church modes. Unlike the freer glee, it is best sung with several voices on a part. See Glee.
MOABITE STONE n.
lines, dating from the 9th century b. c., and written in the Moabite alphabet, the oldest Phonician type of the Semitic alphabet. It records the victories of Mesha, king of Moab, esp. those over Israel (2 Kings iii. 4, 5, 27).
P n.
he Latin, into which language the letter was brought, through the ancient Greek, from the Phonician, its probable origin being Egyptian. Etymologically P is most closely related to b, f, and v; as hobble, hopple; father, paternal; recipient, receive. See B, F, and M.
RECEIVER n.
That portion of a telephonic apparatus, or similar system, at which the message is received and made audible; -- opposed to transmitter. Exhausted receiver (Physics), a receiver, as that used with the air pump, from which the air has been withdrawn; a vessel the interior of which is a more or less complete vacuum.…
SULPHINDIGOTIC a.
Of, pertaining to, or designating, a sulphonic acid obtained, as a blue solution, by dissolving indigo in sulphuric acid; -- formerly called also cerulic sulphuric acid, but properly called indigo-disulphonic acid.
SYMPHONY n.
rks in freer form, with arguments or programmes to explain their meaning, such as the "symphonic poems" of Liszt. The term was formerly applied to any composition for an orchestra, as overtures, etc., and still earlier, to certain compositions partly vocal, partly instrumental.