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Webster’s Dictionary (1828)



72 words match “PAINTER”

MOSTIC; MOSTICK n.
A painter's maul-stick.
MUSCLING n.
Exhibition or representation of the muscles. [R.] A good piece, the painters say, must have good muscling, as well as coloring and drapery. Shaftesbury.
NEO-GREEK n.
A member of a body of French painters (F. les néo-Grecs) of the middle 19th century. The term is rather one applied by outsiders to certain artists of grave and refined style, such as Hamon and Aubert, than a name adopted by the artists themselves.
OUTLINE n.
A sketch composed of such lines; the delineation of a figure without shading. Painters, by their outlines, colors, lights, and shadows, represent the same in their pictures. Dryden.
PAINTING n.
The work of the painter; also, any work of art in which objects are represented in color on a flat surface; a colored representation of any object or scene; a picture.
PAINTY a.
Unskillfully painted, so that the painter's method of work is too obvious; also, having too much pigment applied to the surface. [Cant]
PALETTE n. 2 definitions
oval or square board, or tablet, with a thumb hole at one end for holding it, on which a painter lays and mixes his pigments. [Written also pallet.]
PENCIL n.
A small, fine brush of hair or bristles used by painters for laying on colors. With subtile pencil depainted was this storie. Chaucer.
PICTURER n.
One who makes pictures; a painter. [R.] Fuller.
PLUMBISM n.
the absorption of lead, common among workers in this metal or in its compounds, as among painters, typesetters, etc. It is characterized by various symptoms, as lead colic, lead line, and wrist drop. See under Colic, Lead, and Wrist.
POONAH PAINTING n.
roducing flowers, birds, etc., in imitation of Oriental work. Hence: Poonah brush, paper, painter, etc.
PORTRAITIST n.
A portrait painter. [R.] Hamerton.
POST-IMPRESSIONISM n.
In the broadest sense, the theory or practice of any of several groups of recent painters, or of these groups taken collectively, whose work and theories have in common a tendency to reaction against the scientific and naturalistic character of impressionism and neo- impressionism. In a strict sense the term post-impre…
PRE-RAPHAELITE n.
artist thought to be a would-be restorer of early ideas or methods, as one of the German painters often called Nazarenes, or one who paints and draws with extreme minuteness of detail.
PRERAPHAELISM; PRERAPHAELITISM n.
The doctrine or practice of a school of modern painters who profess to be followers of the painters before Raphael. Its adherents advocate careful study from nature, delicacy and minuteness of workmanship, and an exalted and delicate conception of the subject.
PUMA n.
s or stripes. Called also catamount, cougar, American lion, mountain lion, and panther or painter.
RAPHAELISM n.
The principles of painting introduced by Raphael, the Italian painter.
RECREATE v.
sh after wearying toil or anxiety; to relieve; to cheer; to divert; to amuse; to gratify. Painters, when they work on white grounds, place before them colors mixed with blue and green, to recreate their eyes, white wearying . . . the sight more than any. Dryden. St. John, who recreated himself with sporting with a tame…
RENDER v.
n actor renders his part poorly; a singer renders a passage of music with great effect; a painter renders a scene in a felicitous manner. He did render him the most unnatural That lived amongst men. Shak.
ROSET n.
A red color used by painters. Peacham.
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