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Webster’s Dictionary (1828)



491 words match “WHETHER”

SOMNAMBULISTIC a.
st or somnambulism; affected by somnambulism; appropriate to the state of a somnambulist. Whether this was an intentional and waking departure, or a somnambulistic leave-taking and waking in her sleep, may remain a subject of contention. Dickens.
SONG n.
That which is sung or uttered with musical modulations of the voice, whether of a human being or of a bird, insect, etc. "That most ethereal of all sounds, the song of crickets." Hawthorne.
SPELL n.
hich one person or gang works until relieved; hence, any relatively short period of time, whether a few hours, days, or weeks. Nothing new hass happened in this quarter, except the setting in of a severe spell of cold weather. Washington.
SPILL v.
y; to kill; to put an end to. [Obs.] And gave him to the queen, all at her will To choose whether she would him save or spill. Chaucer. Greater glory think [it] to save than spill. Spenser.
SPIRIT n.
from the body in which it resides; the agent or subject of vital and spiritual functions, whether spiritual or material. There is a spirit in man; and the inspiration of the Almighty giveth them understanding. Job xxxii. 8. As the body without the spirit is dead, so faith without works is dead also. James ii. 26. Spiri…
SQUABBLE v.
he sense of these propositions is very plain, though logicians might squabble a whole day whether they should rank them under negative or affirmative. I. Watts.
STAND v.
as, a cipher at the left hand of a figure stands for nothing. "I will not trouble myself, whether these names stand for the same thing, or really include one another." Locke. -- To stand in, to cost. "The same standeth them in much less cost." Robynson (More's Utopia). The Punic wars could not have stood the human rac…
STANZA n.
riation of measure in that poem; a combination or arrangement of lines usually recurring; whether like or unlike, in measure. Horace confines himself strictly to one sort of verse, or stanza, in every ode. Dryden.
STEM n.
That part of a plant which bears leaves, or rudiments of leaves, whether rising above ground or wholly subterranean.
STICK n.
Any long and comparatively slender piece of wood, whether in natural form or shaped with tools; a rod; a wand; a staff; as, the stick of a rocket; a walking stick.
STIPEND n.
Settled pay or compensation for services, whether paid daily, monthly, or annually.
STOP n.
of action; cessation; repression; interruption; check; obstruction. It is doubtful . . . whether it contributed anything to the stop of the infection. De Foe. Occult qualities put a stop to the improvement of natural philosophy. Sir I. Newton. It is a great step toward the mastery of our desires to give this stop to t…
STORE n.
Any place where goods are sold, whether by wholesale or retail; a shop. [U.S. & British Colonies]
STORM n.
snow, hail, or thunder and lightning; hence, often, a heavy fall of rain, snow, or hail, whether accompanied with wind or not. We hear this fearful tempest sing, Yet seek no shelter to avoid the storm. Shak.
STRAIGHTEDGE n.
oard, or piece of wood or metal, having one edge perfectly straight, -- used to ascertain whether a line is straight or a surface even, and for drawing straight lines.
STRAIN n.
the strain upon a ship's rigging in a gale; also, the hurt or injury resulting; a sprain. Whether any poet of our country since Shakespeare has exerted a greater variety of powers with less strain and less ostentation. Landor. Credit is gained by custom, and seldom recovers a strain. Sir W. Temple.
STRENGTH n.
y or state of being strong; ability to do or to bear; capacity for exertion or endurance, whether physical, intellectual, or moral; force; vigor; power; as, strength of body or of the arm; strength of mind, of memory, or of judgment. All his [Samson's] strength in his hairs were. Chaucer. Thou must outlive Thy youth, t…
STRINGCOURSE n.
A horizontal band in a building, forming a part of the design, whether molded, projecting, or carved, or in any way distinguished from the rest of the work.
STYLE n.
Mode of expressing thought in language, whether oral or written; especially, such use of language in the expression of thought as exhibits the spirit and faculty of an artist; choice or arrangement of words in discourse; rhetorical expression. High style, as when that men to kinges write. Chaucer. Style is the dress of…
SUBJECT n.
That in which any quality, attribute, or relation, whether spiritual or material, inheres, or to which any of these appertain; substance; substratum. That which manifests its qualities -- in other words, that in which the appearing causes inhere, that to which they belong -- is called their subject or substance, or sub…
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