MUSIC DRAMA n.
involves the use of a kind of melodious declamation, the development of leitmotif, great orchestral elaboration, and a fusion of poetry, music, action, and scene into an organic whole. The term is applied esp. to the later works of Wagner: "Tristan und Isolde," "Die Meistersinger," "Rheingold," "Walküre," "Siegfried,"…
OBOE n.
One of the higher wind instruments in the modern orchestra, yet of great antiquity, having a penetrating pastoral quality of tone, somewhat like the clarinet in form, but more slender, and sounded by means of a double reed; a hautboy. Oboe d'amore Etym: [It., lit., oboe of love], and Oboe di caccia Etym: [It., lit., ob…
OPERA n.
olly or mostly sung, consisting of recitative, arials, choruses, duets, trios, etc., with orchestral accompaniment, preludes, and interludes, together with appropriate costumes, scenery, and action; a lyric drama.
ORATORIO n.
elaborately set to music, in recitative, arias, grand choruses, etc., to be sung with an orchestral accompaniment, but without action, scenery, or costume, although the oratorio grew out of the Mysteries and the Miracle and Passion plays, which were acted.
PIT n.
part of a theater, on the floor of the house, below the level of the stage and behind the orchestra; now, in England, commonly the part behind the stalls; in the United States, the parquet; also, the occupants of such a part of a theater.
PITCH n.
, as of rivet holes in boiler plates. Concert pitch (Mus.), the standard of pitch used by orchestras, as in concerts, etc. -- Diametral pitch (Gearing), the distance which bears the same relation to the pitch proper, or circular pitch, that the diameter of a circle bears to its circumference; it is sometimes described…