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Webster’s Dictionary (1828)



43 words match “GOTHIC”

FLORIATED a.
Having floral ornaments; as, floriated capitals of Gothic pillars.
FOIL n.
The space between the cusps in Gothic architecture; a rounded or leaflike ornament, in windows, niches, etc. A group of foils is called trefoil, quatrefoil, quinquefoil, etc., according to the number of arcs of which it is composed. Foil stone, an imitation of a jewel or precious stone.
GABLE n.
A decorative member having the shape of a triangular gable, such as that above a Gothic arch in a doorway. Bell gable. See under Bell. -- Gable roof, a double sloping roof which forms a gable at each end. -- Gable wall. Same as Gable (b). -- Gable window, a window in a gable.
INTERPENETRATE v.
er; to penetrate between bodies or their parts. Interpenetrating molding (Arch.), in late Gothic architecture, a decoration by means of moldings which seem to pass through solid uprights, transoms, or other members; often, two sets of architectural members penetrating one another, in appearance, as if both had been pla…
LIERNE RIB n.
In Gothic vaulting, any rib which does not spring from the impost and is not a ridge rib, but passes from one boss or intersection of the principal ribs to another.
MOLD; MOULD n.
A group of moldings; as, the arch mold of a porch or doorway; the pier mold of a Gothic pier, meaning the whole profile, section, or combination of parts.
OGIVE n.
The arch or rib which crosses a Gothic vault diagonally.
OILLET n.
A small circular opening, and ring of moldings surrounding it, used in window tracery in Gothic architecture. [Written also oylet.]
PEAK v.
To pry; to peep slyly. Shak. Peak arch (Arch.), a pointed or Gothic arch.
PENDANT n.
A hanging ornament on roofs, ceilings, etc., much used in the later styles of Gothic architecture, where it is of stone, and an important part of the construction. There are imitations in plaster and wood, which are mere decorative features. "[A bridge] with . . . pendants graven fair." Spenser.
PERPENDICULAR a.
o the line bc. Perpendicular style (Arch.), a name given to the latest variety of English Gothic architecture, which prevailed from the close of the 14th century to the early part of the 16th; -- probably so called from the vertical style of its window mullions.
POINTED a.
rchitecture in which the pointed arch is the predominant feature; -- more commonly called Gothic. -- Point"ed*ly, adv. -- Point"ed*ness, n.
POPPY; POPPYHEAD n.
generally used on the tops of the upright ends or elbows which terminate seats, etc., in Gothic churches.
PURFLED a.
ed; esp., embroidered on the edges. Purfled work (Arch.), delicate tracery, especially in Gothic architecture.
RIB n.
In Gothic vaulting, one of the primary members of the vault. These are strong arches, meeting and crossing one another, dividing the whole space into triangles, which are then filled by vaulted construction of lighter material. Hence, an imitation of one of these in wood, plaster, or the like.
ROMANESQUE a.
styles of Western Europe, from the fall of the Western Roman Empire to the appearance of Gothic architecture.
STUMP n.
farthest from the batsman. -- Stump tracery (Arch.), a term used to describe late German Gothic tracery, in which the molded bar seems to pass through itself in its convolutions, and is then cut off short, so that a section of the molding is seen at the end of each similar stump. -- To go on the stump, or To take the…
TEUTONIC a.
vision of the Indo-European, or Aryan, family, and embracing the High German, Low German, Gothic, and Scandinavian dialects and languages. -- Teutonic order, a military religious order of knights, established toward the close of the twelfth century, in imitation of the Templars and Hospitalers, and composed chiefly of…
TRACERY n.
The decorative head of a Gothic window.
TRANSEPT n.
en the nave and choir. In the basilicas, this had often no projection at its two ends. In Gothic churches these project these project greatly, and should be called the arms of the transept. It is common, however, to speak of the arms themselves as the transepts.
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