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Webster’s Dictionary (1828)



375 words match “PAINT”

TOTEM POLE; TOTEM POST n.
A pole or pillar, carved and painted with a series of totemic symbols, set up before the house of certain Indian tribes of the northwest coast of North America, esp. Indians of the Koluschan stock.
TRANSPARENCY n.
That which is transparent; especially, a picture painted on thin cloth or glass, or impressed on porcelain, or the like, to be viewed by natural or artificial light, which shines through it. Fairholt.
TRECENTO n.
tc. It marks the period of Dante, Petrarch, and boccaccio in literature, and of Giotto in painting.
TRITON n.
n of Neptune and Amphitrite, and the trumpeter of Neptune. He is represented by poets and painters as having the upper part of his body like that of a man, and the lower part like that of a fish. He often has a trumpet made of a shell. Have sight of Proteus rising from the sea, Or hear old Triton blow his wreathed horn…
TROWELED n.
ith a trowel; as, troweled stucco, that is, stucco laid on and ready for the reception of paint. [Written also trowelled.]
TUSCHE; TUSHE; TOUSCHE n.
A lithographic drawing or painting material of the same nature as lithographic ink. It is also used as a resistant in the biting-in process.
ULTRAMARINE n.
ramarine, into which it is changed by subsequent treatment. -- Ultramarine ash or ashes (Paint.), a pigment which is the residuum of lapis lazuli after the ultramarine has been extracted. It was used by the old masters as a middle or neutral tint for flesh, skies, and draperies, being of a purer and tenderer gray that…
UMBER n.
nd has a large occipital crest. Called also umbrette, umbre, and umber bird. Burnt umber (Paint.), a pigment made by burning raw umber, which is changed by this process from an olive brown to a bright reddish brown. -- Cologne, or German, umber, a brown pigment obtained from lignite. See Cologne earth.…
UMBILICUS n.
An ornamented or painted ball or boss fastened at each end of the stick on which manuscripts were rolled. Dr. W. Smith.
UNDERGLAZE a.
t is, before the glaze is put on; fitted to be so applied; -- said of colors in porcelain painting.
UNDERWORK v.
To expend too little work upon; as, to underwork a painting. Dryden.
URANIUM n.
companied by a strong fluorescence, and its black oxide is used as a pigment in porcelain painting. Symbol U. Atomic weight 239.
VANDYKE a.
Of or pertaining to the style of Vandyke the painter; used or represented by Vandyke. "His Vandyke dress." Macaulay. [Written also Vandyck.] Vandyke brown (Paint.), a pigment of a deep semitranssparent brown color, supposed to be the color used by Vandyke in his pictures. -- Vandyke collar or cape, a broad collar or c…
VARNISH v.
id which produces, when dry, a hard, glossy surface; as, to varnish a table; to varnish a painting.
VILIPEND v.
To value lightly; to depreciate; to slight; to despise. To vilipend the art of portrait painting. Longfellow.
VIVID a. 2 definitions
reaks the vivid lightnings play. Cowper. Arts which present, with all the vivid charms of painting, the human face and human form divine. Bp. Hobart.
WAR n.
; especially, a strong, powerful, spirited horse for military service; a charger. -- War paint, paint put on the face and other parts of the body by savages, as a token of going to war. "Wash the war paint from your faces." Longfellow. -- War song, a song of or pertaining to war; especially, among the American Indian…
WARMTH n.
ct which arises from the use of warm colors; hence, any similar appearance or effect in a painting, or work of color.
WASH DRAWING n.
In water-color painting, work in, or a work done chiefly in, washes, as distinguished from that done in stipple, in body color, etc.
WATER COLOR n.
A picture painted with such colors.
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