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Webster’s Dictionary (1828)



375 words match “PAINT”

RICE n.
States. -- Rice paper, a kind of thin, delicate paper, brought from China, - - used for painting upon, and for the manufacture of fancy articles. It is made by cutting the pith of a large herb (Fatsia papyrifera, related to the ginseng) into one roll or sheet, which is flattened out under pressure. Called also pith p…
ROOD n.
A representation in sculpture or in painting of the cross with Christ hanging on it.
ROSET n.
A red color used by painters. Peacham.
ROSIN n.
entine; colophony. Rosin oil, an oil obtained from the resin of the pine tree, -- used by painters and for lubricating machinery, etc.
ROUGE v.
To paint the face or cheeks with rouge.
SALON n.
partment for the reception and exhibition of works of art; hence, an annual exhibition of paintings, sculptures, etc., held in Paris by the Society of French Artists; -- sometimes called the Old Salon. New Salon is a popular name for an annual exhibition of paintings, sculptures, etc., held in Paris at the Champs de Ma…
SANBENITO n.
A garnment or cap, or sometimes both, painted with flames, figures, etc., and worn by persons who had been examined by the Inquisition and were brought forth for punishment at the auto-da-fé.
SANCTUARY n.
e them, bestowed on temples the privelege of sanctuary. Milton . These admirable works of painting were made fuel for the fire; but some relics of it took sanctuary under ground, and escaped the common destiny. Dryden. Wildlife sanctuary, a tract of land set aside by law for the preservation of wildlife, in which no hu…
SCENE n.
, or other devices, used to give an appearance of reality to the action of a play; as, to paint scenes; to shift the scenes; to go behind the scenes.
SCRIBBET n.
A painter's pencil.
SCROPHULARIACEOUS a.
wers and a two-celled pod. The order includes the mullein, foxglove, snapdragon, figwort, painted cup, yellow rattle, and some exotic trees, as the Paulownia.
SCUMBLE v.
To cover lighty, as a painting, or a drawing, with a thin wash of opaque color, or with color-crayon dust rubbed on with the stump, or to make any similar additions to the work, so as to produce a softened effect.
SCUMBLING n.
A mode of obtaining a softened effect, in painting and drawing, by the application of a thin layer of opaque color to the surface of a painting, or part of the surface, which is too bright in color, or which requires harmonizing.
SECCO a.
Dry. Secco painting, or Painting in secco, painting on dry plaster, as distinguished from fresco painting, which is on wet or fresh plaster.
SFUMATO a.
ue outlines, and colors and shades so mingled as to give a misty appearance; -- said of a painting.
SGRAFFITO a.
Scratched; -- said of decorative painting of a certain style, in which a white overland surface is cut or scratched through, so as to form the design from a dark ground underneath.
SHANK n.
used by opticians for nipping off the edges of pieces of glass to make them round. Shank painter (Naut.), a short rope or chain which holds the shank of an anchor against the side of a vessel when it is secured for a voyage. -- To ride shank's mare, to go on foot; to walk.
SIEGE n.
or situation; seat. [Obs.] Ah! traitorous eyes, come out of your shameless siege forever. Painter (Palace of Pleasure).
SIGN n.
it on; a publicly displayed token or notice. The shops were, therefore, distinguished by painted signs, which gave a gay and grotesque aspect to the streets. Macaulay.
SIMULAR n.
nder. [Obs.] Shak. Christ calleth the Pharisees hypocrites, that is to say, simulars, and painted sepulchers. Tyndale.
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